First, the building is enormous. The Berghain that is main dance, which centers around difficult techno, has 60-foot ceilings supported by massive pillars manufactured from unpainted concrete. “The construction is comparable to compared to a cathedral associated with the Middle Ages, ” states Thomas Karsten, one of several two architects in charge of the 2004 renovations associated with the building, which was initially constructed in 1953 included in East Germany’s postwar reconstruction process and abandoned when you look at the late 1980s. “There’s something nearly spiritual in regards to the environment. ”

The majority of the building has retained its initial commercial architecture — the decor is free, the walls are typically empty and a somewhat less Dante’s Inferno-esque upstairs space, called Panorama Bar, makes utilization of cages that formerly housed equipment that is electrical. Because of this, the club, that has been opened by two media-averse German males, Norbert Thormann and Michael Teufele (who, commensurate with the club’s no-media policy, declined a job interview demand), continues to have the appearance and feel of a abandoned building. Read more…